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Fountains of Wayne @ Islington Academy, London  
By Nickta Hafezi  
Monday, 23 August 2004

Adorning the stage with his ‘Hustler’ T-shirt, FoW lead singer and songwriter, Chris Collingwood makes sweet music with his fellow band mates, Adam Schlesinger, Jody Porter on bass guitar (who looks a lot like Laurence Llewellyn-Bowen from a distance) and Brian Young on drums. 


Fountains of Wayne have been around for a good decade now but only made their first impression on the UK Charts in 1996 with their fantastic hit, ‘Radiation Vibe’.  Two cult albums later, Welcome Interstate Managers is their third and for two years, they have been the road plugging it.

 

Tonight is the last UK live date and the crowd are really looking forward to it.  I get there, after a quick jog from the station, in the nick of time, push my way to the front right side and take my position behind two of the tallest men in the whole venue, as I always happen to.  At least on my way in I manage to spot the editor of GQ magazine (don’t ask me how I recognise him!), wearing the gayest, hippiest flower-print t-shirt.  The venue is small and cosy. 

 

Walking calmly onto the stage, FoW launch into ‘I’ve Got A Flair’, from their self-titled debut.  The crowd erupts, heads begin to bop and drinks climb to lip-syncing mouths.  Then comes ‘It Must Be Summer’ from Utopia Parkway, which leads them perfectly onto their third and most advanced musical achievement. 

 

Most of the songs are from the latest album and already the crowd are shouting suggestions and appraisals at the stage.  There’s no crowd surfing (thank goodness), but a hell of a lot of drinking going on.  With or without being under the influence of alcohol, everyone is enjoying the show and rightly so.

 

The boys haven’t been home for a long time and after just three songs, Chris takes the time to explain his homesickness, which is a chance for them to perform ‘Valley Of Malls’, so, so, so far away from Islington, North London.  Even though the bare black set and hanging mirror ball do little to liven the venue, the band don’t need any assistance – they are more than capable of performing so well, so effortlessly, and all the while keeping the crowd singing along.

(5/5)


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