There truly isn't one dud song herein, though the likes of the Blues-blasting 'Lorraine Lorraine' (in which Spike's gruff yet soulful vocals might remind of Rod Stewart's) and the album-closing masterpiece of melody 'Black Mariah' (which hears him sounding somewhat like Flaming Lips frontman Wayne) are definite highlights, with 'Too Familiar' being one of their most endearing soft rock ballads to date, and their 'Last Fence' being one of their most upbeat and fast-paced anthems.

While 'Well Oiled' isn't that hard-rocking, the marriage of guitar riffs and keyboard tunes complement Spike's vocals exquisitely, ensuring that these songs could be some of the most charming and sublimely catchy tunes that you hear all year, and some of the best of the band's career. A career, incidentally, that saw them start out originally called The Choirboys, before they began calling themselves The Queerboys on account of how the semi-Glam members looked at the time.